
It was the age of unbridled excess, avarice, and machismo gone haywire. Wall Street Masters of the Universe were treating people like tradable commodities, hair metal bands were plowing through sexual conquests like Charlie Sheen after banging seven-gram rocks, and punkers were leaving each other bloodied and bruised in mosh pits.
The 1980s was a very tough time to be a womanâlet alone a female musician.
But Kathleen Hanna wouldnât stand for any of that bullshit.
A victim of childhood abuse, Hanna began her artistic career as a spoken-word performer, addressing issues like violence and sexism against women. Eventually, she segued into music, forming the seminal punk band Bikini Kill and later Le Tigre. At early Bikini Kill shows, she demanded that women stand in the frontâand be protectedâfrom their testosterone-fueled male counterparts. She also helped pioneer the feminist zine Riot grrrl, which had an indelible impact on the womenâs rights movement, and came up with the title to the Nirvana anthem âSmells Like Teen Spirit,â tagging it on the wall of her good pal, the late Kurt Cobain.
Hanna, who is married to Beastie Boy Adam âAd-Rockâ Horovitz, is the subject of Sini Andersonâs documentary The Punk Singer, which made its premiere at the 2013 SXSW festival. In an expansive interview, the feminist and punk icon opened up to The Daily Beast about her dark past, feminism, why Taylor Swift is a feminist, Nirvana memories, being assaulted by Courtney Love, and more.
I understand you became interested in feminism when your mother took you to a Gloria Steinem rally in Washington, D.C., when you were just 9.Thatâs right. My mom was a secret feminist. She worked at a domestic-violence center in the basement of a church, and she would find places for women and their children to sleep for a few nights. It was all very clandestine, and she didnât really tell my dad about it. Then, sheâd bring copies of Ms. magazine into the house, and I remember making a poster that said, âGirls Can Do Anythingâ and cutting out pictures from Ms. of female construction workers. My mom really had an âaha!â moment after reading Betty Freidanâs The Feminine Mystique. My dad grabbed the book out of her hand and started reading it and telling my mom what feminism was. It just made her so angry. Heâs just a total dick ⌠Thatâs really all I can say.
And your parents split up around the time you were in high school.Yeah. My dad was a sprinkler fitter and he was in the union, so we moved around every three years for his job. When we moved from Washington to Maryland, right before I went to high school, my parents split. So I didnât know anyone from high school. But I had wanted my mom to divorce my dad for a number of years, so I was relieved.
That must have been a very rough time for you. In the film, itâs revealed that you had a very difficult and abusive upbringing.A neighborhood boy molested me when I was 7. And my dad was sexually inappropriate and creepyâthough he didnât molest meâas well as verbally and physically abusive. When I was 15, I was raped when I was drunk and took a ride from the wrong person. I could go on and on about other incidents ⌠like being stalked by my landlord. I was like, âWhy am I the person that all these men are drawn to? What am I doing wrong?â I ended up working at a domestic violence/rape shelter, and when these things happen to you so young, you get set up to feel like thatâs all youâre there for, and you project that out. Then, predator men smell out that youâre a victim and wonât talk. I feel like a lot of women get revictimized and revictimized, and when it happens five times, women feel like they canât tell anyone because nobody will believe them.
You say your father was âsexually inappropriate.â Did you try to communicate this to people, like your mom? And did this ruin your ability to trust people? I just couldnât risk fucking up my family. I was too young to deal with it all. And then you live in denial, and then you go out into the world in denial and you date people and, even though you see red flags around people, you ignore them because you were trained to live around red flags your whole life and ignore them. So you trust the wrong people because you have no intuition.
Itâs the 40th anniversary of Roe v. Wade, and I understand the abortion issue is a personal one for you.In 1985, I was living with my sister in Virginia and, since I was still in high school, I worked at McDonaldâs to save money to get an abortion. It sounds really terrible, but it was the best decision I ever made. It was the first time I took responsibility for my actions. I messed up, had sex without contraception, and got pregnant at 15. It was the first time I realized I wanted a life. Maybe I wanted to have kids down the road, but I thought, âI would not be able to have the life I want unless I do this.â When I was in Bikini Kill, I thought, âWow, if I had had that baby, I wouldnât have been able to do all the things Iâve done or travel around the world.â Itâs about women not dying in back-alley abortions, but itâs also about women saying: âMy life is worth it, too. I deserve to have control over my life and my health care.â Imagine if a man was told, âYou canât make the decision to have a vasectomy.â
In the film, itâs revealed that you managed to support yourself while attending Evergreen State College in Washington through stripping, as well as doing a work-study job as a photo lab technician. What was your experience with stripping like? When I first started dancing, I was 17 and worked in a juice bar where you could have younger people because they didnât serve alcohol. I was wearing a bikini, thoughâno nudity. I was away from my family and I started to figure out what was inappropriate or appropriate, because I struggled for a long time with that due to my past. I was trying to make lemonade out of lemons, in a way. I thought, âIf I went through these shitty experiences, how can I turn that into cash?â It wasnât a political thing or a sex-positive decision, because I donât find anything sex-positive about stripping. It was just a shitty job to make money for school.
Why did you decide to start Bikini Kill?I realized that I loved music and that was a way I could channel my energy into something positive. When we were on tour with my first band, Viva Knievel, I couldnât believe how sexist the underground music scene was. So, I started writing to this girl Tobi Vail who had a fanzine called Jigsaw, and she was very supportive. When I got home, it just seemed like the right thing to do to start a band together. We were really idealistic and thought we could go into male-dominated spaces and make them places women felt welcome inâat least for one night.
It seems like Bikini Kill and the Riot grrrl movement live on in a group like Pussy Riot.Before they got imprisoned, I watched some of their videos and thought it was the best thing ever. In Le Tigre, we wore really bright colors, so I loved their aesthetic and the performance-art aspect of going into public spaces and doing unplanned performances. Itâs political, smart, and funny. And then they were imprisoned and I was like, âWait ⌠what the fuck?â I felt a real kinship because even though Iâve changed from spoken word to music, Iâve always considered myself a feminist performance artist more than a musician. Iâd been waiting to be blown away by something, and I was very blown away by them ⌠and so saddened.
Many contemporary pop stars, like Taylor Swift, get a lot of flack for not self-identifying as feminists when pressed in interviews.Iâm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and Iâm so happy she really cares about her female fans. Sheâs not catering to a male audience and is writing music for other girls. I donât care if she calls herself a feminist or not. There is something that sheâs doing that feels feminist to me in that she really seems to have a lot of control over what her career is doing. Sheâs 23. People say sheâs dating all these guys. Well, yeah, sheâs a young person and is dating all these people âcause thatâs what you do when youâre young. John Mayer can fuck 84 people in one day and nobody calls him a slut. I think thatâs the subtext of some of the things sheâs said recently.
You famously came up with the name for Nirvanaâs anthem âSmells Like Teen Spirit.â Can you tell me the story behind that?I was just at Kurtâs apartment, and he was living in the back of this house that my friend Slim lived in. We got really drunk and then headed out into the woods. There was this fake abortion clinicâthose clinics that ask if youâre pregnant and then show you scary movies about fetusesâand one of those had just opened in our town, so we were furious. We staked it out and I think we even had binoculars. We spray-painted all over the side of it and I just wrote, âFAKE ABORTION CLINIC,â and Kurt wrote, âGod Is Gay.â We went downtown and got more and more drunk and ended up back at his place. I remember we just turned off all the lights and broke everything in his room; it was a metal tornado, really insane. I just started writing shit on his wall with a Sharpie and I wrote, âKURT SMELLS LIKE TEEN SPIRIT.â He called me six months later when they were working on the record and he said, âHey, I want to use that title for a song ⌠would that be cool?â I donât think he knew that Teen Spirit was actually a deodorant! He found that out much later.
You also made headlines in the â90s when his wife, Courtney Love, assaulted you at Lollapalooza. What the hell was that about?Youâd really have to ask her what that was about. I was just standing there. I didnât do anything, say anything, or even look at her. I have no idea if she was jealous of me, of my band, or because I was in a band with Tobi, who dated Kurt before her and they had stayed in contact ⌠I have no idea. She used to be good friends with our bass player, and I thought our bands had camaraderie, even though we never hung out. I was unpleasantly surprised when we werenât able to be comrades. Itâs a rough world out there for female musicians. People always told me she was super-difficult, and I didnât believe them because thatâs what people say about all women. And then she assaulted me and that was really sad. I was a fan and I stuck up for her when people said shit about her, so I was like, âWow, why is this happening to me?â It was really depressing and I wish it didnât happen. Itâs not fun to be punched in the face, and it was really hard for me that it became a joke heard âround the indie rock world, because I didnât do anything to deserve it.
Will Le Tigre ever get back together?Iâm in a new band called the Julie Ruin, and itâs nice to hear live drums again when I sing. If Le Tigre does something together again, which I would love, I think weâd really change around what we were doing, like do something with a live band or write songs with other people. I definitely still love them and think that collaborating with them in the future is definitely in the stars. But the Julie Ruinâs album comes out in three months, and hopefully weâll start playing in the springtime.