Andrew Fleischman

The new movie “Borderline” is the biggest role of Ray Nicholson’s career so far—and it exposes the ways he is and isn’t like his dad, Jack.

As one father shares, after a traumatizing experience for his kid’s friend, you can’t even see a family movie these days without the weight of the world crashing in.

Perfectly timed to the increasingly conservative climate, “Heart Eyes” is a movie that equates premarital sex with cause for death. Is the slasher film overtly political?

Audiences protested that a trailer for horror hit “Companion” ruined the movie experience by spoiling its big twist. We’ve seen the film. Those people are fools.

Documentary “Eternal You” exposes so-called pioneers of death capitalism who use AI to make the dead seem alive. I watched the movie soon after my mom passed. Here’s why it’s bull.

The new horror film “Grafted” has a sequence so disgusting and cinematically impressive we haven’t stopped thinking about it. Here’s what to know.

The former “Baywatch” star’s Best Actress nominations have been the surprise of awards season. Now you can finally see the movie and performance that proves she deserves it.

In her startling new movie “Witches,” Elizabeth Sankey draws a line from witch trials to “The Wizard of Oz” to postpartum moms. “This was a film made by a mad woman,” she says.

Creators Mark Duplass and Patrick Brice answer all of our questions about “The Creep Tapes,” their series about a “Craigslist Killer” who filmed all of his mind games and murders.

Ex-NY Gov. Andrew Cuomo spells out with forensic precision exactly how the Democrats lost to the man they reviled.