Vanessa Williams’ new single is a refreshing anthem for sexy women of a certain age—and it’s just the start.
Coleman Spilde is a Brooklyn-based entertainment critic for The Daily Beast covering pop culture high and low, from celebrity news to the latest in film, television, and music. He studied Media with a concentration in Analysis and Criticism at Hunter College where he learned to dissect subjects to the minutiae while finding the humor in everything. His work has appeared in Taste, WhatCulture, and his newsletter Top Shelf, Low Brow, among others.
A guide to the week’s best and worst TV shows and movies from The Daily Beast’s Obsessed critics.
While the most foolish among us wrote off the “Scooby-Doo” update as “Woke Velma,” an epic joke in the new season is a hilarious reminder that the show shouldn’t be ignored.
It can’t be all orgies and murder on “Mary & George.” Though there’s still plenty of that in the new episode, a tragic backstory is also revealed.
Here are 1,200 words on the most important kiss scene in cinema history. Sorry not sorry.
The heartbreaking new indie “We Grown Now” is a delicate reminder of the fleeting innocence of childhood and the cruel reality of kids having to face the real world far too soon.
Severed testicles, a feathered ’80s wig, supernatural incantations, and murder highlight Kardashian’s performance in the bonkers finale of “American Horror Story: Delicate.”
Season 1 of the Apple TV+ series was an underrated gem. But Season 2 is a triumph worthy of getting all the attention we used to give to “Ted Lasso.”
A guide to the week’s best and worst TV shows and movies from The Daily Beast’s Obsessed critics.
A dispatch from “Sonja in the City,” in which the beloved “Real Housewives of New York City” shimmies, gabs about sex, and rambles through a litany of deliriously kooky stories.