Tim Teeman

“Boop! The Musical” borrows from “Barbie” and “The Wizard of Oz,” takes on #MeToo Baddies and Eric Adams, and brings a show-stopping rainbow of joy to Broadway.

Nick Jonas and Adrienne Warren sing better than their characters connect in the new Broadway musical “The Last Five Years.”

The star’s Broadway production of “Good Night, and Good Luck” is almost too aggressive about its timeliness.

There’s an argument to let David Mamet’s 1984 play stay pure to its words—but those racist and homophobic slurs land with a thud in the era of MAGA.

Sarah Snook has already won an Olivier for playing 26 characters in the “Picture of Dorian Gray.” A Tony may follow—even if the production can feel exhausting as well as dazzling.

Ignore the hoopla surrounding her dad’s starry, but middling “Othello.” Olivia Washington stars in the spectacular production of “Wine in the Wilderness” just a few miles away.

After all the blaring headlines around “Othello” on Broadway—Denzel! Jake! Tickets near a thousand dollars!—how strange that the production itself is so lacking in execution.

The raucous musical “Operation Mincemeat,” one of the best-reviewed productions in West End history, is finally stateside—and you’ll want to grab a ticket now.

“Buena Vista Social Club” explodes on Broadway with brilliant, vibrant music and dancing, while off-Broadway “We Had a World” has some tangled family trauma to unpack.

The “Ripley” and “All Of Us Strangers” star brings his one-man “Vanya” to New York. It’s technically impressive, but doesn’t reveal anything new in adapting Chekhov’s classic text.