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Dracula, a hit man, Tilda Swinton singing about the end of the world, and peak Ryan Gosling: Buckle up for our criticâs picks for the best 10 films he saw this year.
The new film âThe Room Next Doorâ is a rare misfire from filmmaker Pedro AlmodĂłvar: clunky, wooden, and a tonal mishmash.
Director Joshua Oppenheimer breaks down the yearâs wildest, most heartbreaking, and, it turns out, urgent musical: the Tilda Swinton-starring âThe End.â
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Thereâs nothing conventional about âThe End,â a mad, apocalyptic musical masterpiece that is wowing film festival crowds.
Pedro AlmodĂłvarâs first English-language feature is a tender two-hander between two Oscar-winners at the top of their acting game, holding hands as they contemplate the end.
Two maestros of strange profundity come together in âProblemista,â the quirky, yet touching new film from Torres that just had a raucous premiere at SXSW.
Writer-director Joanna Hogg talks ghost stories, memoir films, and a particular stroke of genius: Why have Tilda Swinton play one role in a film, when she could play two?
âThe Eternal Daughterâ stars Swinton as both mom and daughter in a beautifully elegiac portrait of women in search of understandingâand the source of the strange noises upstairs.
Viola Davis wowed (of course). Tilda Swinton stunned (of course). And Colin Farrell may be on his way to an Oscar (finally). Hereâs our rundown of the 20 best actors at TIFF â22.
âThree Thousand Years of Longingâ features Tilda Swinton as a British professor who awakens a bottled-up djinn (Idris Elba, part-CGI) and they gradually fall in love. Itâs a mess.
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