
In the 1960s and '70s, the whole world went Pop but many of our most familiar images from this period, the Warhols and Lichtensteins and the like, are Western-centric. In reality, the movement was much larger, resonating from Asia to Africa to South America, and these often-overlooked pieces are important, offering a fascinating, critical POV on modern commercialism. Tate Modern has brought together 160 of them together, showcasing artists spanning the globe, celebrating how different cultures reacted to Pop in their new show The EY Exhibition: The World Goes Pop.
Here is Les Hommes Rouges 1968-9 by Henri Cueco

Pilules capsules conciliabules, 1966 by Bernard Rancillac

Cubes, 1968 by Teresa Burga

El realism socialista y el Pop Art en el campo de batalla, 1969 by Equipo Crónica

Valentine, 1966 by Evelyne Axell
Paul Louis
Atomic Kiss, 1968 by Joan Rabascall

Fluorescent paint, oil, plastic board on plywood by Ushio Shinohara

American Interior #1 1968, by Ushio Shinohara

Guitarist, 1970 by Cornel Brudascu

Birth Hood, 1965-2011 by Judy Chicago

Bombs in Love, 1962 by Kiki Kogelnik

Corazón destrozado, 1964 by Delia Cancela
unknown
Bez Buntu (Without Rebellion), 1970 by Jerzy Ryszard "Jurry" Zielinski