Chris Feil

Audiences who have seen the new movie are hot and bothered over a scene featuring Nicole Kidman’s shirtless co-star and a perfect George Michael needle drop.

A decade after its polarizing debut, Christopher Nolan’s space odyssey is more popular than ever. Tickets for an IMAX re-release are being scalpered. What’s behind the craze?

“The Deb” arrived at TIFF with a heap of behind-the-scenes drama between Wilson and the producers. The movie itself, though, is so bad the hoopla now seems hardly worth it.

Jason Reitman’s film about the chaotic launch of the late-night institution is a dizzying rush. While at times overwhelming, a handful of ace performances keep things on track.

Starring the eponymous hip-hop group and Michael Fassbender, Sundance prizewinner “Kneecap” is what “8 Mile” might look like if it had been directed by John Carney.

Bette Midler, Susan Sarandon, Sheryl Lee Ralph, and Megan Mullally star in a bachelorette romp that’s chintzy but pleasingly familiar—and very funny.

The star of “Bonnie and Clyde” and “Network” gets a well-deserved career retrospective, even if it avoids most of the hard questions and only glances at her notorious reputation.

The year in film was not just about Barbenheimer. Here’s a rundown of the best international films of 2023—and our guess on the ones who will likely be competing for the Oscar.

With stellar performances in two of the year’s best and buzziest films—“Anatomy of a Fall” and “The Zone of Interest”—Sandra Hüller is already being dubbed “Actress of the Year.”

Because of the Hollywood strikes, the starpower at the Toronto International Film Festival is owed to actors who are directing their own films—few of which, it turns out, are good.