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Larry Blumenfeld writes regularly about music and culture for The Wall Street Journal and Daily Beast. His work has appeared in publications and websites including The Village Voice, The New York Times and Salon. His reporting and essays often focus on connections between arts and issues of politics and social justice, especially in times of crisis; as a critic, he specializes in jazz and Afro-Latin music. He was the 2019 Jeanette K. Watson Distinguished Visiting Professor in the Humanities at Syracuse University and has received the Helen Dance-Robert Palmer Award for Writing from the Jazz Journalists Association, a Katrina Media Fellowship with the Open Society Institute, and a National Arts Journalism Fellow at Columbia University. He programs and hosts the “Jazz and Social Justice” series for the National Jazz Museum in Harlem; is editor-at-large of Jazziz Magazine; Jazz Adviser for the Wells Fargo Jazz Series of Spoleto Festival USA; and the co-founder and curator of the Deer Isle Jazz Festival in Stonington, Maine. He lives in Brooklyn, New York, travels to New Orleans whenever he can, and occasionally still plays basketball. He blogs (sometimes) at http://larryblumenfeld.com.

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Can Dave Brubeck’s Music Unite Black and Jewish Communities?

more timely

“The Gates of Justice,” Brubeck’s 1969 masterwork, gets revived with his sons in tow, and reopens a conversation Americans need to have.

Larry Blumenfeld | Published Mar 25, 2023

Jazz Genius Louis Armstrong Is Still Revealing Himself to Us

POPS

With “Louis Armstrong’s Black & Blues,” filmmaker Sacha Jenkins recasts a legacy he never really knew.

Larry Blumenfeld | Published Nov 19, 2022

Meet the Genius Who Brought the Disco Ball to Lincoln Center

THE HOME OF HAPPY FEET

Shanta Thake wants to throw open the storied cultural center’s gates to new audiences. She intends to make a post-pandemic case for live performance. And she needs you to dance.

Larry Blumenfeld | Published Jul 24, 2022

Can Allen Toussaint Blvd. Put NOLA on the Right Path?

THE STRUT OF THE STREET

Replacing Robert E. Lee Boulevard with Allen Toussaint Boulevard is so disarmingly logical that the only question is, what took New Orleans so long?

Larry Blumenfeld | Published Mar 27, 2022

How Two Jazz Titans Reinvented a Greek Tragedy

REAL MAGIC, NO GIMMICKS

Jazz’s greatest living composer Wayne Shorter always wanted to write an opera. Now, with collaborator Esperanza Spalding, and in the face of health problems and a pandemic, he has.

Larry Blumenfeld | Published Nov 12, 2021

Terence Blanchard Makes Black Music Matter at the Met Opera

LONG TIME COMING

The Grammy-winning trumpet player and composer’s “Fire Shut Up in My Bones” is the first opera by a Black composer performed at the Metropolitan Opera in its 138-year history.

Larry Blumenfeld | Published Oct 21, 2021

Yes, Now We Know Exactly What It Means to Miss New Orleans

YES WE CAN CAN

An expanded edition of a 2005 post-Katrina benefit album speaks to our present moment of estrangement.

Larry Blumenfeld | Published Feb 16, 2021

Wynton Marsalis: Cultural Con Jobs Began Long Before Trump

'THE EVER FONKY LOWDOWN'

Amid enduring the pandemic and the loss of his father, the celebrated musician talks about cultural hustles, keeping jazz alive during quarantine, and those statues in New Orleans.

Larry Blumenfeld | Published Oct 11, 2020

Handcuffed in a Speed Trap: The Indelible Taste of Hate

DRIVING WHILE JEWISH

Arrested in Starke, Florida, the author was humiliated by a bigoted cop 25 years ago. Can that experience enlighten him about far deeper issues today?

Larry Blumenfeld | Published Sep 21, 2020

NOLA Mourns Ellis Marsalis: ‘We Were All His Children’

A PATRIARCH PASSES

Remembering Ellis Marsalis, father of the Crescent City’s most famous jazz family, which includes musical sons Wynton, Branford, Delfeayo, and Jason—on his own terms.

Larry Blumenfeld | Published May 03, 2020

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