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“It’s been difficult since 2016, and we’re all very grateful about her,” Weaver said.
Despite its lead actresses’ best efforts, there’s little intrigue or energy to this secret-filled family drama.
Weaver’s outstanding performance as a charming alcoholic can’t redeem this dull, genre-confused film and its weird narrative whims.
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By the time the movie (allegedly) hits theaters in 24 weeks, James Cameron is going to have told us 72 random facts about it. That’s 72 too many.
How Donald Trump, Milo Yiannopoulos, and a cabal of right-wing clowns bullied the new “Ghostbusters: Afterlife” into existence.
“All women are superheroes,” proclaimed Sigourney Weaver from the Academy Awards stage. It was lame “primetime girl power” feminism, writes Cassie da Costa.
In ‘Working Girl’ Tess McGill cut her hair, knowing she’d be judged on her appearance. Thirty years on, some Wall Street women still see dye jobs and daily blowouts as a necessity.
Ira Madison breaks down the finale to Netflix’s Marvel superhero team-up. [Warning: Major Spoilers]
The latest Netflix Marvel series is fun to watch—except for when it comes to its nebulous, lackluster villains. Sigourney Weaver deserves better.
We were at San Diego Comic-Con for an exclusive screening of the first ‘Defenders’ episode—and a tantalizing first look at ‘The Punisher,’ Marvel’s most brutally violent show yet.
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